trickle-down donations

10 08 2010

Just back from Ohio, ARC picked up portions of two recent donations that have been, and will be, given piecemeal, over the past and future years.  And what meals they are!   The first was the first donation of approx. 1,200 LPs, part of a larger collection over 15,000 recordings that were lovingly collected by Eric J. Schmuckler, and will all be coming to the ARC.  This generous gift was from his wife, Michelle Gelber.  Eric was a well known critic and writer for Mediaweek Magazine, and truly loved his music.

You can read a nice obit @  http://www.allbusiness.com/services/motion-pictures/4816200-1.html

While we have yet to process the whole batch, one lovely discovery was a two foot-think run (50 recordings) of Beatles-esqs, discs sorta, kinda, maybe about and because of the Fab Four.  This is meat and potatoes kinda stuff – the odds and ends that make our mouth water.  They will join our existing 2 running feet of bad Beatle wannabeats. There’s a complete discography at the end of this blog.  Pardon the quick out-of-the-box low res pics, but behold…


And some singles…

Our second pick-up (course) of the day came from old pal and collector AP Joseph.  For years now AP has slowly been emptying his larder into ours, this his fourth donation in recent years, also about 1200 LPs.   APs donations are always rock solid, a little less pristine sleeves with mint interiors and a little less mainstream than Eric’s.   A quick look reveals a pile of CRI releases, early Fast Folk – The Musical Magazine recordings plus print mag when they were called “the Coop” in the early ‘80s, and an unusual pair of Jorma Kaukonen acoustic recordings on Relix from the mid-eighties.  Here’s a few others that caught or eye/ear :

Lastly, the folks @ WKCR, a-way up in Harlem, dropped off over 300 CD and two 45s.  Thanks to Ben Young who keeps coming back with great stuff, year after year.

We would like to also thank that stalwart friend of ARCs, the 2010 Subaru Impreza, which is zippy AND can hold 12 one hundred twenty five count boxes of LPs, without even trying, or more importantly, sagging.

And we ain’t too proud to beg : Do send a donation to help with all this madness – it’s expensive AND the recession is officially over… and do let us know if you have recordings to donate!

The list of Eric’s Beatles obscurata :

• Abbey Road ’78.   Sgt. Pepper’s Lonely Hearts Club Band — Music from the movie  (Springboard, SPB-4111, 12″, 33.3, LP, 1978).   cheap cash-in of Sgt. Pepper film.

• Barock and Roll Ensemble / Valkyrie and the Rhine Maidens.   Ein Kleine Beatle Musik  (His Master’s Voice, UK, 7EG 8887, 7″, 45, EP, 1965).  First three tracks incorporate elements of the Beatles songs “She Love You,” “I’ll Get You,” “A Hard Day’s Night,” “I Want to Hold Your Hand,” “Please Please Me” and “All My Loving.”

• John Bayless.   Bach Meets the Beatles: Variations in the Style of Bach  (Pro Arte Digital, PAD-211, 12″, 33.3, LP, 1984).

• The Bearcuts.   Beatlemania!  (Somerset, SF-20800, 12″, 33.3, LP, ). cheesy Beatles exploitation. M-; 1 VG+

• Beats.   The Merseyside Sound  (Design, DLP 170, 12″, 33.3, LP, n.d.).   Possibly, the artist is THE MERSEYSIDE SOUND and the title is BEATS.  it is unclear on cover and label.  Shameless Beatles exploitation record.  Cover has a copyright date of 1962, but the two Beatle songs covered here were first released in 1964! M-; VG

• Ewa Bem.   Ewa Bem Loves the Beatles  (Polskie Nagrania, SX 2193, 12″, 33.3, LP, 1984). Who knew they were Polish!

• The Big Ben Banjo Band.   Happy Banjos Play The Beatles  (Capitol, ST 2642, 12″, 33.3, LP, n.d.). Medleys of Beatles songs performed on banjos.

• The Blue Beats.   The Beatle Beat  (AA, AA-133, 12″, 33.3, LP, N.D.).   Shameless Beatles exploitation album. Features NO Beatles songs!!!   1 VG+

• Ambrose Brazelton.   And the BEATles Go on and on: Hits of the Beatles  (Kimbo Educational Records & Educational Activities, LP 8080, 12″, 33.3, LP, n.d.).  Educational record with Beatles songs used to illustrate rhythm, locomotor movements and balance.  Ambros Brazelton is the narrator.  No mention to who performs the songs.  Side one has narration and songs.  Side two is music only.

• The Brothers Four.   A Beatles Songbook : The Brothers Four Sing Lennon / McCartney  (Columbia, CS 9302, 12″, 33.3, LP, n.d.).  STEREO.

• The Buggs.   The Beetle Beat  (Coronet, CX-212, 12″, 33.3, LP, n.d.).    Shameless Beatles exploitation record.  VG

• Lee Castle & the Jimmy Dorsey Orchestra.   The Big Band Beatles Bag!  (Pickwick/33, SPC 3174, 12″, 33.3, LP, n.d.).

• Leo Chauliac Orchestra.   The Best of The Beatles  (Concert Hall, UK, SVSC 2571, 12″, 33.3, LP, 1968).

• The Chipmunks.   The Chipmunks Sing The Beatles Hits  (Liberty, UK, NUTM 31, 12″, 33.3, LP, n.d.).  Eighties UK reissue.  Cut corner.

• Wynken, Blinken and Nod and the Golden Rock-A-Twisters / Milton DeLugg and Orchestra.   Dance and Sing Mother Goose With a Beatle Beat  (Golden, LP 127, 12″, 33.3, LP, 1964). Nursery rhymes played as if Beatles songs.

• The Entertainers.   A Tribute to the Beatles  (Citation, CSR-1005, 12″, 33.3, LP, ). shameless Beatles exploitation album.
• European Show Orchestra.   The Masterworks of The Beatles  (EMS, Australia, EMS 4001, 12″, 33.3, LP, n.d.).

• The Current Event.   Hits of the Beatles  (Ambassador, S98095, 12″, 33.3, LP, n.d.).   Shameless Beatles exploitation album.

• Arthur Fiedler and the Boston Pops.   Arthur Fiedler and the Boston Pops Play The Beatles  (RCA Red Seal, LSC-3117, 12″, 33.3, LP, 1969).  Filed under BEATLES RELATED.  NO DOG ON LABEL.  Last two tracks are not Beatles songs. VG+

• The Ginks.   A Tribute to the Beatles  (Summit, UK, ATL 4176, 12″, 33.3, LP, 1965).  shameless Beatles exploitation album.

• François Glorieux.   François Glorieux Plays the Beatles  (Vanguard, VSD-79417, 12″, 33.3, LP, 1978). Beatles songs played as if classical pieces.

• François Glorieux.   François Glorieux Plays the Beatles Vol. 2  (Vanguard, VSD-79428, 12″, 33.3, LP, 1979). Beatles songs played as if classical pieces.

• Ofra Harnoy / The Armin Electric Strings.   The Beatles Connection  (Fanfare, Canada, DFC-9016, 12″, 33.3, LP, 1985).    Cut corner, sticker on cover.

• The Ted Heath Orchestra.   Beatles Bach & Bacharack  (London Phase 4, SP 44148, 12″, 33.3, LP, n.d.).

• The Hiltonaires.   Dance to Beatles Hits in the Glenn Miller Sound  (Stereo Gold Award, Canada, GA-36, 12″, 33.3, LP, n.d.).

• The Hollyridge Strings.   The Beatles Song Book Vol 2  (Capitol, T 2202, 12″, 33.3, LP, n.d.).   MONO.  1 VG- w/ taped up cover, sticker on cover and label; 1 VG+

• Hommage Aux Beatles.   Hommage Aux Beatles  (Revelation, Canada, KF 154, 12″, 33.3, LP, n.d.).

• Lester Lanin And His Go-Go Getters.   40 Beatles Hits  (Philips, PHM 200-211, 12″, 33.3, LP, n.d.). WHITE LABEL PROMO

• James Last.   The Greatest Songs of The Beatles  (Polydor, UK, POLD 5119, 12″, 33.3, LP, 1983).

• Enoch Light and His Orchestra.   Beatles Classics  (Project 3, PR 5084, 12″, 33.3, LP, n.d.). QUAD!!

• The Liverpools.   Beatle Mania in the U.S.A.  (Wyncote, W 9001, 12″, 33.3, LP, n.d.).   Shameless Beatles exploitation album.  1 VG+

• Johnny Mann Singers.   Beatle Ballads  (Liberty, LST 7391, 12″, 33.3, LP, n.d.).   STEREO  M- w/ taped cover.

• The Mustang.   Mustang Plays The Beatles Song Book on Swingin’ Hammond Organ, The  (Stereo-Fidelity, SF-23000, 12″, 33.3, LP, n.d.). VG w/tape and sticker on cover.

• 101 Strings.   A Tribute to John Lennon  (Alshire, S-5380, 12″, 33.3, LP, 1980). shameless Beatles exploitation album.
• Orchestral Ensemble.   In Tribute to Brian Epstein  (World Record Club, Australia, S/T 4415, 12″, 33.3, LP, n.d.).

• Rostal & Schaefer / Ron Goodwin.   The Beatles Concerto  (MMG, MMG 1121, 12″, 33.3, LP, 1979).   Peter Rostal and Paul Schaefer play piano duets.  The Royal Liverpool Philharmonic Orchestra under the direction of Ron Goodwin.  M- w/ sticker on label.

• The Rubber Band.   Beatles Song Book  (GRT, 10015, 12″, 33.3, LP, n.d.).  An anonymous band performs Beatle songs.

• Russ Sainty with the Johnny Arthey Sound.   Million Copy Sellers Made Famous by the Beatles  (Boulevard, UK, 4064, 12″, 33.3, LP, 1971).   Shameless Beatles exploitation album.  VG+

• Broadway Cast.   Beatlemania  (Arista, AL 8501, 12″, 33.3, LP, 1978).  One copy  White label promo.  Recorded live at the Winter Garden.  “Not The Beatles.  An incredilbe simulation.”  Right.  Both cut corner.

• original cast recording.   John Paul George Ringo…& Bert  (RSO, UK, 2394 141 SUPER, 12″, 33.3, LP, 1974).   Musical involves The Beatles and their music.

• The Sydney Symphony Orchestra conducted by John Lanchbery.   The Fool on the Hill : Music Based on Themes by The Beatles  (His Master’s Voice, Australia, OASD.7589, 12″, 33.3, LP, 1976). Ballet based on Beatles songs.  Sticker on cover.

• Tribe.   Tribe Sing the Creative Genius of George Harrison, John Lennon & Paul McCartney  (Pickwick/33, SPC-3265, 12″, 33.3, LP, n.d.).

• Various Artists.   Beatlesongs!  (A Collection Of Beatles Novelties) Vol. 1  (Rhino Records, RNLP 803, 12″, 33.3, LP, 1982).     Cover art by William Stout.

• Various Artists.   The Original Liverpool Beat!  (20th Century Fox, TFM 3144, 12″, 33.3, LP, n.d.).    Shameless Beatles exploitation record.”PROMO on label.  VG+

• Various Artists.   I Hate the Beatles Even More Vol. 2  (Rape Records Limited, LP 002, 12″, 33.3, LP, n.d.). Collection of Beatles novelty records.

• Various Artists.   Artfully Beatles Volume 1: The 25th Anniversary Salute to the Beatles  (Artful Ballance, ABI-7210, 12″, 33.3, LP, 1986).

• Arthur Wilkinson and His Orchestra.   Beatle Cracker Suite  (His Master’s Voice, UK, 7EG 8919, 7″, 45, EP, 1965).  Beatles songs arranged ala Nutcracker Suite.

• Arthur Wilkinson and His Orchestra / Zack Laurence.   The Beatle Concerto  (His Master’s Voice, UK, 7EG 8968, 7″, 45, EP, 1965).  Beatles songs arranged ala classical compositions.

• Woofers and Tweeters Ensemble.   Beatle Barkers  (Passport Records, PB 6032, 12″, 33.3, LP, n.d.).   Dogs bark out Beatle songs.  Corner cut. We once found a copy of this for Matt Groening!

• The Leon Young String Chorale.   Liverpool Sound for Strings  (Atco, 33-163, 12″, 33.3, LP, 1964).  MONO. shameless Beatles exploitation album.
M-

Here’s the info on APs recordings we photographed and spoke about:

• Monty Alexander.   Spunky  (Pacific Jazz, USA, ST 20094, 12″, 33.3, LP, n.d.).

• Chris Connor.   Chris Connor  (Atlantic, USA, 1228, 12″, 33.3, LP, n.d.).

• Martha Davis.   Martha Davis and Spouse  (ABC-Paramount, USA, ABC 160, 12″, 33.3, LP, ).  Spouse = bassist Calvin Ponder.

• Jorma Kaukonen.   Magic  (Relix, USA, RRLP 2007, 12″, 33.3, LP, 1985).

• Jorma Kaukonen.   Too Hot To Handle  (Relix, USA, RRLP 2012, 12″, 33.3, LP, 1985).

• Imitation Life.   Ice Cubes and Sugar  (Veebltronics, USA, Veebl 50, 12″, 33.3, LP, 1986). OK New Wave trio of New Jersey-ites, this originally released on France’s New Rose label. Promo release.

• Mickey Katz and ‘Der Ganser Gang”.   Sing-Along With Mickele  (Capitol, USA, T 1744, 12″, 33.3, LP, n.d.).  In honor of the recently departed Mitch Miller.

• Lisa Kindred.   I Like It This Way!  (Vanguard, USA, VRS 9196, 12″, 33.3, LP, 1965).  mono. Check out her relationship with the Lyman Family!!!

• The Pipkins.   Gimme Dat Ding!  (Capitol, USA, ST 80483, 12″, 33.3, LP, n.d.).

• Wanda Robinson .   Black Ivory  (Perception, USA, PLP 18, 12″, 33.3, LP, 1971).  Odd little packaging with booklet making up the front cover.

The State Radio Orchestra of the U.S.S.R. (Scriabin).   The Divine Poem  (Classic Editions, USA, CE 4, 12″, 33.3, LP, n.d.).  We do not collect Classical music, but who can resist nipples!

• Various Artists. The Coop – fast folk music magazine September ’82  (The Coop, USA, SE 108, 12″, 33.3, LP, 1982).  genetic cover with sticker and magazine insert.

• Various Artists.   The Coop – fast folk music magazine August ’82  (The Coop, USA, SE 107, 12″, 33.3, LP, 1982).  genetic cover with magazine insert.

• Various Artists.  The Coop – fast folk music magazine April ’83, Vol 2. #3  (The Coop, USA, SE 203, 12″, 33.3, LP, 1983).  with magazine insert.





Greil Marcus in Lipstick Traces “Live”

12 11 2009

Please join your friends at the ARChive as they present their first event up at Columbia University – Greil Marcus in Lipstick Traces: Live

Thursday, November 19, 6 pm
Free and open to the public

Altschul Auditorium, 417 International Affairs Building (SIPA), 420 West 118th Street

Lipstick Traces_flyer

In Lipstick Traces: A Secret History of the 20th Century, Greil Marcus delved into the cross-currents, tangles, and whirlpools that made such vastly different movements as dada, lettrism, the Situationist International, and punk part of a single current. To mark the just-published 20th-anniversary edition of the book, Columbia University presents Greil Marcus in a one-man performance of Lipstick Traces.

This will be smart AND fun!

A book signing will follow the event. Lipstick Traces: Live is co-sponsored by the Friends of the Columbia Libraries, the ARChive of Contemporary Music, and the Arts Initiative at Columbia University.

In addition, the Music & Arts Library at Columbia University will display books by Marcus, books that influenced him, and posters, records, and other materials courtesy of the ARChive of Contemporary Music. The exhibition will be on display from November 1 to December 15, 2009 at The Gabe M. Wiener Music & Arts Library, 7th floor of Dodge Hall, at 2960 Broadway.

Here’s a simple bibliography of Greil’s work:
* Rock & Roll Will Stand (1969), edited anthology
* Double Feature: Movies & Politics (1972), co-authored with Michael Goodwin.
* Mystery Train: Images of America in Rock ‘n’ Roll Music (E.P. Dutton & Co., New York, 1975/2008).
* Stranded: Rock and Roll for a Desert Island (1979, editor and contributor)
* Lipstick Traces: A Secret History of the 20th Century (1989/2009), a book on 20th century avant-garde art movements like Dadaism, Lettrist International and Situationist International and their influence on late 20th century countercultures and The Sex Pistols and Punk Movement.
* Dead Elvis: A Chronicle of a Cultural Obsession (1991), about the phenomenon of Elvis Presley in the years since his death
* In the Fascist Bathroom: Punk in Pop Music, 1977-1992 (1993, published in the US as Ranters and Crowd Pleasers)
* The Dustbin of History (1995)
* Invisible Republic: Bob Dylan’s Basement Tapes (1998; also published as The Old, Weird America: Bob Dylan’s Basement Tapes, 2001), an account of American folk culture, seen through Bob Dylan’s Basement Tapes.
* Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives (2001)
* The Manchurian Candidate (2002)
* The Rose & the Briar: Death, Love and Liberty in the American Ballad (2004, co-edited with Sean Wilentz)
* Like a Rolling Stone: Bob Dylan at the Crossroads (2005), a “biography” of the Dylan song
* The Shape of Things to Come: Prophecy in the American Voice (2006)
• A New Literary History of America (2009, with Werner Sollers, Harvard University Press)

call or e-me if you have any questions :  B. George 212-226-6967  arcmusic@inch.com=

DIRECTIONS  –  International Affairs Building (SIPA) / Altschul Auditorium

Getting to Columbia’s Campus:
The main entrances to Columbia’s campus on Morningside Heights in Manhattan are at Broadway and 116th Street (where the subway station is) and at Amsterdam Avenue and 116th Street.

Public Transportation:
The best way to reach campus is using the subway. Take subway line number 1 or 9 local to 116th Street (Columbia University) station.

Parking:
You may park on the street or use the local parking garages. The 512-520 Garage is located at the corner of 112th Street and Amsterdam; the Riverside Church Parking Garage is located on 120th Street between Claremont Avenue and Riverside Drive.

Finding Altschul Auditorium on Columbia’s Campus:
The International Affairs building (also known as SIPA) is on the eastern side of Columbia University’s Morningside Campus. The building is at 420 W. 118th Street, on the south side of 118th Street between Amsterdam Avenue and Morningside Avenue (closer to Amsterdam). Altschul Auditorium is located in the lobby of the building on the first floor, room 417.

Entering From Campus:
From the main campus entrance (right by the subway stop at 116th Street and Broadway) walk east all the way across College Walk (116th Street) to Amsterdam Avenue. Go north two blocks to 118th Street and cross Amsterdam; the International Affairs building is there on the corner. The entrance is on 118th Street (south side).





Reflecting on the Sale…

20 06 2008

The sale’s over. Next sale Begins Saturday, Dec 13. Just thought we’d toss out a few images before we get back to cataloging and caring for the world’s largest popular music collection.

What can you do with those antique round sound thingies? Hey, they’re shinny and work really well as reflectors on the streets on New York.  Ask Lester.

More importantly, who shops at the ARC sale?  Well for one, sophisticated ladies in tropical skirts – here’s a shot from our opening night party…

Don’t forget to donate new, used and unwanted recordings in any format to the library. We compare all donations to the existing collection (2 million recordings) and only sell things when they are THIRD copies.

So see you in December. We’ll still be under the spell of those worthless Bush dollars, so Euroshoppers come on down!





The Irish Session of the Future!

19 11 2007

We have lots of Irish music here at the ARChive (the entire Green Linnet catalog, for example), but I don’t think we’ve got anything like this. Here is a video of someone playing a very convincing set of jigs on a game for the Nintendo DS called “Daigasso! Band Brothers.”

I’m not sure how well it would go over so well at a session (especially the ones I like), but played that well I imagine it’d fare no worse than a poorly-played bohdrán.

There’s lots of music out there on youtube that’s made strange/beautiful because it’s played on an anachronous instrument.  I love this one of someone playing Britney Spears’s “Toxic” on the ukulele. What else in the strange/beautiful category is out there that you like? Report your findings in the comments, please!

Dr.D.





Record Hound of Barcelona

7 11 2007

As you all know that Spanish visionary, A. Gaudi, loved his music. Some insists he was a serious trance + techno fan, sneaking off to rave the Balerics between concrete pours.

bcn_gaudi_guell_disc1_sml.jpg

But I’m convinced it was the fandango that fueled his modernist visions. Regardless, images of records, LPs mostly, began to shade his architectural landscape. Here are examples from around the 1900s at the Casa Mila, Casa Batllo and the Park Guell in Barcelona.

bcn_gaudi_guell_disc3_sml.jpgbcn_gaudi_batllo_discs.jpg

Years ago we had asked Gaudi to help us out and try his hand at an ARC logo. Pretty good, but we had to pass. Like Charles Dickens; a great mind, but his spelling was not quite up to snuff.

bcn_gaudi_guell_disc_ark.jpg

B. = Barcelona








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