Greil Marcus in Lipstick Traces “Live”

12 11 2009

Please join your friends at the ARChive as they present their first event up at Columbia University - Greil Marcus in Lipstick Traces: Live

Thursday, November 19, 6 pm
Free and open to the public

Altschul Auditorium, 417 International Affairs Building (SIPA), 420 West 118th Street

Lipstick Traces_flyer

In Lipstick Traces: A Secret History of the 20th Century, Greil Marcus delved into the cross-currents, tangles, and whirlpools that made such vastly different movements as dada, lettrism, the Situationist International, and punk part of a single current. To mark the just-published 20th-anniversary edition of the book, Columbia University presents Greil Marcus in a one-man performance of Lipstick Traces.

This will be smart AND fun!

A book signing will follow the event. Lipstick Traces: Live is co-sponsored by the Friends of the Columbia Libraries, the ARChive of Contemporary Music, and the Arts Initiative at Columbia University.

In addition, the Music & Arts Library at Columbia University will display books by Marcus, books that influenced him, and posters, records, and other materials courtesy of the ARChive of Contemporary Music. The exhibition will be on display from November 1 to December 15, 2009 at The Gabe M. Wiener Music & Arts Library, 7th floor of Dodge Hall, at 2960 Broadway.

Here’s a simple bibliography of Greil’s work:
* Rock & Roll Will Stand (1969), edited anthology
* Double Feature: Movies & Politics (1972), co-authored with Michael Goodwin.
* Mystery Train: Images of America in Rock ‘n’ Roll Music (E.P. Dutton & Co., New York, 1975/2008).
* Stranded: Rock and Roll for a Desert Island (1979, editor and contributor)
* Lipstick Traces: A Secret History of the 20th Century (1989/2009), a book on 20th century avant-garde art movements like Dadaism, Lettrist International and Situationist International and their influence on late 20th century countercultures and The Sex Pistols and Punk Movement.
* Dead Elvis: A Chronicle of a Cultural Obsession (1991), about the phenomenon of Elvis Presley in the years since his death
* In the Fascist Bathroom: Punk in Pop Music, 1977-1992 (1993, published in the US as Ranters and Crowd Pleasers)
* The Dustbin of History (1995)
* Invisible Republic: Bob Dylan’s Basement Tapes (1998; also published as The Old, Weird America: Bob Dylan’s Basement Tapes, 2001), an account of American folk culture, seen through Bob Dylan’s Basement Tapes.
* Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives (2001)
* The Manchurian Candidate (2002)
* The Rose & the Briar: Death, Love and Liberty in the American Ballad (2004, co-edited with Sean Wilentz)
* Like a Rolling Stone: Bob Dylan at the Crossroads (2005), a “biography” of the Dylan song
* The Shape of Things to Come: Prophecy in the American Voice (2006)
• A New Literary History of America (2009, with Werner Sollers, Harvard University Press)

call or e-me if you have any questions :  B. George 212-226-6967  arcmusic@inch.com=

DIRECTIONS  -  International Affairs Building (SIPA) / Altschul Auditorium

Getting to Columbia’s Campus:
The main entrances to Columbia’s campus on Morningside Heights in Manhattan are at Broadway and 116th Street (where the subway station is) and at Amsterdam Avenue and 116th Street.

Public Transportation:
The best way to reach campus is using the subway. Take subway line number 1 or 9 local to 116th Street (Columbia University) station.

Parking:
You may park on the street or use the local parking garages. The 512-520 Garage is located at the corner of 112th Street and Amsterdam; the Riverside Church Parking Garage is located on 120th Street between Claremont Avenue and Riverside Drive.

Finding Altschul Auditorium on Columbia’s Campus:
The International Affairs building (also known as SIPA) is on the eastern side of Columbia University’s Morningside Campus. The building is at 420 W. 118th Street, on the south side of 118th Street between Amsterdam Avenue and Morningside Avenue (closer to Amsterdam). Altschul Auditorium is located in the lobby of the building on the first floor, room 417.

Entering From Campus:
From the main campus entrance (right by the subway stop at 116th Street and Broadway) walk east all the way across College Walk (116th Street) to Amsterdam Avenue. Go north two blocks to 118th Street and cross Amsterdam; the International Affairs building is there on the corner. The entrance is on 118th Street (south side).





Another Great Donation -wanna help catalog?

23 10 2009

Today, me and the boys picked up a generous donation of over 6000 LPs from Jerry Rappaport.  Now Jerry has the life, a former record exec. he runs a swell hotel with his wife in Grenada, La Sagesse, and they just planted some mangostein trees -  he’ll let you know how they’re doing in about ten years.  But for now he’s back in NYC, and cleared out a rental space of about half his collection to donate to the ARC.

Keith_unloading_sml

Here’s Keith Streng, just before rushing off to a rehearsal and gig as a member of the Fleshtones, helping to unload the truck.   Nice boxes.

The collection is swell too!  Tons of world music and reggae from Jerry’s days at Mango, and a pretty good batch of R&B, and blues recordings from the 60s – right up our alley.  We took the am to pick them up, and jumped right in to cataloging that afternoon.  Always nice when you have six Misty In Roots LPs, and someone donates six you didn’t have.  And you gotta love a guy with 16 Elis Regina albums!

Fred_counting_smlJuan_surveying_sml

Fred is down for the count.                               Juan surveys the field.

AND – We are looking for folks to volunteer @ ARC and help catalog all this great stuff.  If you have a 4 hr block, at least once a week, give us a call!  212 -226-6967





We Built This City On…

8 10 2009

disc1sml

It is a little known fact that the ancient Nabataeans were early adaptors of new sound recording technologies.  They began with cylinder discs (called columns) but found them awkward.  Later, around 70 BC, they sliced the cylinders into wafer thin segments, well thin for the time, and began recording on the flat side.  Thwarted by a region-only spindle size and fierce competition from the Hittites (every tune a Hitt!) and the Phoenicians (the original Purple Reign), they were soon forced out of the market.  Not to mention the freight, as these babies were 33 1/3 tons.  Alas, here at Petra, unshipped goods, in a format that defies migration, linger still.

discs2sml

But, I may be mistaken about all this.  What I do know is that the walk through Al-Siq, and the first glimpse of the Treasury through the slice of rock, luminous pink curtained black, is a remarkable thing and well worth a trip through time.

sliver2_smltreasury_sml

All I can think of is our last administration, and the inability to tackle any problem successfully, and how everything was ‘hard work”   Please.  Have a look at Ajunta, Machu Picchu, Angkor Wat, Petra.  Imagine signing off on 40 years to carve a rock facade and we can’t rebuild twenty rows of wooden shotgun houses in New Orleans!   Disgrace, I mean I digress.

I’ve spent the last 10 days here in Amman Jordan setting up the first stages of Muslim World Music Day (formerly the Muslim Music Crash Course) at Columbia Universities Middle Eastern Research Center.  It has been a whirlwind of meetings, show-and tells, planning, report writing and visits to archives, schools, libraries, embassies, musicians and government offices.  The project director handling things from Jordan – the man with ALL the contacts – is Kareem Talhouni.

If you don’t know, Muslim World Music Day is an attempt to catalog all the relevant recording in the world, in one day, and surround this core database with informational and entertaining content, online.  Read all about it at our pre-website blog  www.arcmmcc.wordpress.com

Dr+cassettes_smlOne nice find was a thesis, written in English, but only published in Arabic, on Jordanian music, written by Prof Abdel Hamid Hamam the Dean of the College of Art and Design, University of Jordan.  Written in Wales no less.  We will excerpt it in both languages on the Muslim World Music Day website.

Equally amazing is the work of Dr. Mohammed Taha Ghawanmeh , Music professor and Dean of fine art @ Yarmouk University, Irbid, Jordan.  Dr Ghawanmeh has spent his life collecting the traditional music of Jordan, and the result is a 500 cassette edition, each cassette one hour long and accompanied by a booklet of lyrics, notation and explanatory notes.  This is hard work at its very best.  Only two sets of the series now exist and I can only hope that some scholars or universities that read this could find this work useful for their institution of scholarly pursuits.   Here’s the contact for the fine arts dept :  fac_finart@yu.edu.jo and Arabic speakers can call +962 79 574 3535

By the way on the road to Petra I has coffee, and after a 800 step climb rested in a rock solid tea room overlooking the rose red monestary.  Life used to be so hard…

roadside_coffemaker_smlMon_tea_rock_room>_sml

My favorite reaction to the project was from a woman at the Center who wanted to know if every whore and slut who parades nearly naked on the TV, shaking her stuff, and singing in Arabic would be a part of the website.  She then showed me a few of Nancy Ajram’s videos (mild by my standards) and then exclaimed with a smile, “This is my favorite!”  And shaking her shoulders, “I love to dance to this one.”   Hey, Nancy was on Ophra last month!

With downloading so prevalent and pirating commonplace, music shops have all but disappeared in Jordan – one small chain, The Music Box, holding its own.  Plus the visual versions are very seductive as DVDs and music on TV predominates.  Live music is scarce in formal performance.  This photo is from a concert at Al Hussein Cultural Center taken by Robert Reeder, an ex pro photographer visiting Amman.   Musically, it was the kanoon playing of Tewfik Mirkham (sp?) that was luminous.

Dervish4_sml

My endless search for actual music collections was finally rewarded on the last day of my visit to Amman with a trip to The Jordan Radio and Television Corp.   Our animated host, Ms. Hala Zureiqat, Director of Jordan Television, listened to our pitch, conferred with her Director, then nearly shouted, “We’re in!”   What has made this trip rewarding is that so many people in the region are willing to support the Muslim World Music Day -  a new idea, on first hearing – so enthusiastically.

In one of the rehearsal rooms we were treated to a short concert by 73 year old singer Mohammed Wahib – sweet, toothless and energetic.  The song is, “Slaima.”

The station has saved nearly its entire history since the 60s on reel to reel tape, and it is mostly catalogued.  The recent past is digitized and can be called up inhouse, electronically.   But for me the real fun was to finally see some real vinyl – 45s, LPs and a full shelf unit of approx 4,300 seventy-eights.

Amman45s1better sml

We will work to make sure this material is cataloged for the project and who knows what trash or treasures we will unearth.  Maybe an early Nabataean disc?





Board Member Ellie Greenwich Dies

26 08 2009

Elle copy

A founding member of the ARChive’s Board of Advisors died today.  With sadness we report the death of songwriter Ellie Greenwich.  Pretty much a recluse for many years now, her great music lives on through classic songs like  “And Then He Kissed Me,” “Da Doo Ron Ron,” “Chapel of Love,” “River Deep, Mountain High” and “Be My Baby.”   She also sang some perfectly silly ones like “Niki Hoeky.”  Her version of this is rockin’.  Do Wah Diddy, she will be missed.

…above LP from the ARC collection :   Ellie Greenwich Composes Produces and Sings. (United Artists, USA, UAS 6648, LP, 1968).





Oh No, we gotta listen to ALL of them?

6 08 2009

Mancini.Combo

Freddie, who does the weeding @ ARC, was comparing our three copies of the LP “Combo” by  Henry Mancini and His Orchestra ( RCA Victor Records, LPM-2258 , 1961).   We sell third copies, keep two of everything.  Well why not hava listen he sez to himself he sez.  Lo, it turns out two copies of the  album play “Moanin’” as the first track on both sides, but lists “Powdered Wig” as the first track on side two.  So that means we gotta keep ‘em all.  But what it really means is that we should be listening to ALL TWO MILLION RECORDINGS at ARC.  Freddie will start Aug 24, when he gets back from vacation.





Brazil or Brasil

14 07 2009

ARC is busy building a comprehensive Brazilian collection here at the Library.  To our shame there is currently no major institution in the States actively building a comprehensive collection of this great music.

Our chief advisor in all this has been Béco Dranoff.  I have known Béco as a DJ and producer (Bebel Gilberto, Red Hot + Rio)  for many years, but now he is a film maker, and launches his latest career in a spectacular fashion this Friday at the MoMa in NYC.

So do try and get one of the few tickets left for “Beyond Ipanema: Ondas brasileiras na música global (Beyond Ipanema: Brazilian Waves in Global Music”)  This Friday, July 17, 2009, 8:00 p.m.  It’s good enough to launch the series of summer films at the museum.

Written and directed by Guto Barra, Béco Dranoff, here’s the pitch from the MoMa site – “For decades Brazilian music has captivated audiences worldwide. What makes Brazilian music such a powerful force? Why does bossa nova still lure DJs and producers fifty years after it was created? Why does the Tropicália movement resonate so deeply with the alternative-rock crowd? Beyond Ipanema explores the Brazilian music experience outside of Brazil, accompanied by a specially curated soundtrack featuring Brazilian classics reinterpreted by a new generation of artists. World premiere. 89 min.”

http://www.moma.org/visit/calendar/film_screenings/7005

http://www.brazilnyc.com/2009/07/beyond-ipanema-brazilian-waves-in-global-music/

Back to ARC : The Brazilian Collection is growing rapidly – watch this space for new developments!





Some RIPs

7 07 2009
Best_small_MJ

Ghostly Visit to 54 White St

Well, the Summer Sale is over and was a great success.  Thanks to all who braved the rain and helped us out by carting off our wretched excess.  We’ve neglected the blog for a while, so here’s some recent things that caught our eye/ear.  And it’s more than the weather that has made me a bit cranky.

Midsummer Night Swing (a fine roster of entertainment from an organization that I boycott because of the segregation of a paying and not paying sections, non payers getting lousy sound) will feature our very own archivist – DJ: Phast Phreddie the Boogaloo Omnibus.  Fred will play the pony, twist and way funkier stuff, pre –mid + post The Chubby Checker set.   It’s this Wednesday, July 8, 2009 at 6:30.  Dance Lesson at 6:30, Live Music at 8:30, Damrosch Park, 62nd Street between Columbus and Amsterdam.  They don’t say it upfront (because they are ashamed) and they hide the single event price (pushing an $80 batch of tickets), but you can actually get on the dance floor for ONLY $15.

Other shocking news is that one of the best Rai singers is in the clink.   Reuters reports that Cheb Mami (Mohamed Khelifati ) got 5 years from a French court for trying to force his girlfriend to have an abortion.  It wasn’t just that he offered a strong polemic; it seems he had her kidnapped, drugged, and he and his henchmen attempted an amateur operation at the star’s villa in Algeria.   A light sentence if you ask me.

I‘ve often abandoned artists with reprehensible acts in their resumes.  Not that my vote counts, but if you shoot your wife in the head (Wm Burrohs) or seem ‘fascinated’ by fascism (any old Futurist), or that joining the Hitler Youth is good training for being the Pope, well, you lost me.

A speaking of the wrong person in a nice place, Prince is once again slated to perform at the Montreux Jazz Festival – the closing act no less.  What, they couldn’t book Hanna Montana?   That there is so little imagination left in this world is baffling.  Prince is but one of too many non-jazz acts, making the festival indistinguishable from all the other Euro summerfare.  Call me naïve, but I believe a jazz festival should book jazz artists.

Diddly_signed_sml On the bright side, one donation during the sale brought in a signed copy of, Have Guitar Will Travel, by that world renowned jazz artist, Bo Diddley.  For youguns out there, the calling card and travelin’ theme on this LP comes from a late 50s-early 60s TV western “Have Gun Will Travel” starring Richard Boone.  His character, Paladin, was a mustachioed knight-errant, schizo-ing between tails and all-black westernwear.

Finally, I’m torn between my hatred of the lowest common denominator and corporate media rule, in an AP story of Disney having its lawsuit dismissed against the masterminds (?) behind the animated comedy (?) Family Guy, for their off-color parody of “When You Wish Upon A  Star” from Pinocchio, sung by Cliff Edwards (Ukulele Ike).  The only thing worse than a lame parody, it the protection of an imagined sacred source.

So in memorial, after you hit Forest Lawn for a MJ deathpeek, grab a uke and mosey over to visit Cliff Edwards at Pierce Brothers Valhalla Memorial Park in Burbank.  We have no idea where Vibe is buried, but it’s gone too…

NJcasket





Silly Summer Record + CD Sale

1 06 2009

Join your pals @ ARC for our Summer Record + CD Sale   JUNE 13 – 21 !!!

And NOW, with Virgin closing, ARC is the largest record store in New York!  (at least for the next week).  So come on down and support ARC.

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SRS09_poster_Final

Admission is free!                  New items daily.               Over 20,000 items for sale

At our ground floor office: 54 White St.
3 short blocks south of Canal, between Broadway & Church in Tribeca.
Take the 1 train to Franklin, or any train to Canal.

CDs are NEW donations from record companies, NOT used, returns or defects!
Mostly pop and rock recordings.  Collectible LPs are priced below book value.
Hundreds of CDs are priced at $1 to $5 each.    Cassettes  are 4 for $1.00
Just released NEW & HOT CDs are $5 – $10.

PLUS
7” singles  •  many desirable and hard to find   •   Shelves of new music books   •   100s of sealed/unopened LPs   •   African, Reggae & world-music releases   •  Classical LPs 50¢ or LESS  •  laserdiscs  •  videos
For the dis-en-vinyled our Astroturf Yardsale of 50s kitchen stuff and clothing!!!

COCKTAIL PARTY   -   ARChive Members are invited to a cocktail party on
Thursday, JUNE 11  Members shop before the general public.
JOIN / call for details : 212-226-6967    Champagne supplied by the Bubble Lounge





Our Times has come…

8 05 2009

Today ARC was featured in the NY Times, in the NY/Regional section, with a nice story by David Gonzales.  There were two electronic versions, and these featured cover art and sound files – you can go to  here 2 hear.

domino_E+W

I was asked to dig through the ARChive for some unusual things I liked, and ignored new things that the Times might have reviewed.  But they didn’t publish my comments or the discography to the story,  so here goes…

Anna Domino
“Land Of My Dreams” on East and West (Les Disques Du Crepuscule, Belgium, TWI 187, 12″, vinyl disc Ep, 1984)    This is an early effort.  Equally swell is Anna’s take on the American folksong via her latest band, Snakefarm.

Big Miller
“Did You Ever Hear the Blues?”  on Did You Ever Hear the Blues?”, (United Artists, USA, YAS 6047, 12″, 33.3, LP, 1959)  Big = Clarence Horatio, a Kansas City Blues shouter, doing a pile of songs penned by Langston Hughes.

Twilight Zoners
“Twister” on  Zerø Zerø Øne  (ZIP (Zoners In Plastic) Records, UK, 7” 45 rpm, Ep, 1979).
We have 12 different handmade Xerox covers of this DIY crackly UK single out of the 45 different ones crafted, the whole run was 1000 copies.  Vocals in the background by my pal, Tilly Tilson.  Gordon/Glen is still rockin’ here.

Admiral Dele Abiodun And His Top Hitters
(Olumo, Nigeria, Orps 79, 12″, vinyl disc Lp, 1978)
Out on a limb here, but this is the greatest side of Juju music ever recorded. And it is the only one I know of that about ¾ through shifts into a Fela-esque Afrobeat layered in psychedelic guitar ecstasy.  Here’s that bit of this 19 min. masterpiece.

Avengers
“The American in Me” on the Avengers EP (White Noise, USA, WNR 002, 12″, 45 rpm vinyl disc, Ep, 1979)  Raw SF punk + vocalist Penelope Houston.    Only a snippet here as we had no rights.

Bing Crosby, Louis Armstrong, Rosemary Clooney and the Hi-Lo’s
“Music to Shave By”   (Auravision/Columbia, USA, 6” paper/flexidisk, 33rpm,  196?)
Back of the disc says “ This is the first Hi-Fi recording ever to be included in a national magazine,” probably Life.   This is cloying music at the service of industry, and Bing, by the way, once started a paper ad record business.   There’s a great webthing on paper + flexies, hosted by WFMU, @  http://www.wfmu.org/MACrec/

The Buddah Box
I found this in a religious store, between a Buddhist and Hindu temple in the Little India section of Singapore.  Chips deliver a lively series of religious chants and songs, in a variety of languages, in endless repetition -  change partners by slapping a top button.  Works on batteries too, as you never know when your chant challenged.

Los York’s
“No Puedo Amar” on El Viaje: 1966-1974  (Munster, Spain, MR 285, 12″, vinyl disc-2Lp, 2008)
Out of Lima Peru, this quintet personified the organ loving Latino rock, when you could actually hear the electronic click triggering the sound.  Wonderful stuff, called garage now, part of the lovingly resurrected South and Central American obscurities by Spain based Munster Records.





Waters of March

31 03 2009

As March drips away, if you’re like me, you’ve been playing various versions of Jobim’s Águas de Março  (Waters of March) all month.  We’ve got about 40 cover versions @ the ARC.  A moving recent version is by BossaCucaNova, (Bossa Cuca Nova Ao Vivo.  Ziriguiboom, Brasil, ZIR 32, 2009) on the new CD + DVD of a live concert with many guest artists.  So here’s to one of the greatest “list’ songs ever written and to the beginning of spring.

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Original score in Jobim’s handwriting, published in the Disco the Bolso (Pocket Record), a bonus record included in the weekly magazine O Pasquim, printed in Rio de Janeiro, on May, 1972.   Source: http://www.jobim.com.br/e.index.html

Sounds best in Portuguese, but here’s the English translation of the lyrics,

Waters of March

It’s stick, it’s stone
It’s the end of the road
It’s a rest of stump
It’s a little alone

It’s a shard of glass
It is life, it’s the sun
It is night, it is death
It’s the snare, it’s the fishhook

It’s peroba of the field
It’s the knot in the wood
Lamp caingá tree
It’s the matita-pereira tree

It’s wind-resistant wood
Falls of the ravine
It’s the profound mystery
It’s the you wish or you don’t

It’s the wind blowing
It’s the end of the slope
It’s the beam, it’s the span
The new roof party

It’s the rain raining
It’s riverbank talk
Of the waters of March
It’s the end of the struggle

It’s the foot, it’s the ground
It’s the walk on the road
Small bird in the hand
A slingshot stone

It’s a bird in the sky
It’s a bird on the ground
It’s a creek, it’s a fountain
It’s a piece of bread

It’s the bottom of the well
It’s the end of the way
In the face the annoyance
It’s a little lonely

It’s a thorn, it’s a nail
It’s a point, it’s a dot
It’s a drop dripping
It’s an tally, it’s a tale

It’s a fish, it’s a gesture
It’s silver shining
It’s the morning’s light
It’s the brick arriving

It’s the firewood, it’s the day
It’s the end of the trail
It’s the bottle of liquor
Splinter in the road

It’s the house’s design
It’s the body in bed
It’s the broken down car
It’s the mud, it’s the mud

It’s a footstep, it’s a bridge
It’s a toad, it’s a frog
It’s a rest of brush
In the morning’s light

They are the waters of March
Closing the summer
It’s the promise of life
In your heart

It’s a snake, it’s a stick
It’s John, it’s Joseph
It’s a thorn in the hand
It’s the cut on the foot

They are the waters of March
Closing the summer
It’s the promise of life
In your heart

It’s stick, it’s stone
It’s the end of the road
It’s a rest of stump
It’s a little alone

It’s a footstep, a bridge
It’s a toad, it’s a frog
It’s a beautiful horizon
It’s a tertian fever

They are the waters of March
Closing the summer
It’s the promise of life
In your heart

And here’s Waters of March as re-written, in English, by Jobim:

A stick, a stone,
It’s the end of the road,
It’s the rest of a stump,
It’s a little alone

It’s a sliver of glass,
It is life, it’s the sun,
It is night, it is death,
It’s a trap, it’s a gun

The oak when it blooms,
A fox in the brush,
A knot in the wood,
The song of a thrush

The wood of the wind,
A cliff, a fall,
A scratch, a lump,
It is nothing at all

It’s the wind blowing free,
It’s the end of the slope,
It’s a beam, it’s a void,
It’s a hunch, it’s a hope

And the river bank talks
of the waters of March,
It’s the end of the strain,
The joy in your heart

The foot, the ground,
The flesh and the bone,
The beat of the road,
A slingshot’s stone

A fish, a flash,
A silvery glow,
A fight, a bet,
The range of a bow

The bed of the well,
The end of the line,
The dismay in the face,
It’s a loss, it’s a find

A spear, a spike,
A point, a nail,
A drip, a drop,
The end of the tale

A truckload of bricks
in the soft morning light,
The shot of a gun
in the dead of the night

A mile, a must,
A thrust, a bump,
It’s a girl, it’s a rhyme,
It’s a cold, it’s the mumps

The plan of the house,
The body in bed,
And the car that got stuck,
It’s the mud, it’s the mud

Afloat, adrift,
A flight, a wing,
A hawk, a quail,
The promise of spring

And the riverbank talks
of the waters of March,
It’s the promise of life
It’s the joy in your heart

A stick, a stone,
It’s the end of the road
It’s the rest of a stump,
It’s a little alone

A snake, a stick,
It is John, it is Joe,
It’s a thorn in your hand
and a cut in your toe

A point, a grain,
A bee, a bite,
A blink, a buzzard,
A sudden stroke of night

A pin, a needle,
A sting, a pain,
A snail, a riddle,
A wasp, a stain

A pass in the mountains,
A horse and a mule,
In the distance the shelves
rode three shadows of blue

And the riverbank talks
of the waters of March,
It’s the promise of life
in your heart, in your heart

A stick, a stone,
The end of the road,
The rest of a stump,
A lonesome road

A sliver of glass,
A life, the sun,
A knife, a death,
The end of the run

And the riverbank talks
of the waters of March,
It’s the end of all strain,
It’s the joy in your heart.

B
Source of lyrics : Elma Lia Nascimento  @   http://www.brazzil.com/p08sep01.htm