We Built This City On…

8 10 2009

disc1sml

It is a little known fact that the ancient Nabataeans were early adaptors of new sound recording technologies.  They began with cylinder discs (called columns) but found them awkward.  Later, around 70 BC, they sliced the cylinders into wafer thin segments, well thin for the time, and began recording on the flat side.  Thwarted by a region-only spindle size and fierce competition from the Hittites (every tune a Hitt!) and the Phoenicians (the original Purple Reign), they were soon forced out of the market.  Not to mention the freight, as these babies were 33 1/3 tons.  Alas, here at Petra, unshipped goods, in a format that defies migration, linger still.

discs2sml

But, I may be mistaken about all this.  What I do know is that the walk through Al-Siq, and the first glimpse of the Treasury through the slice of rock, luminous pink curtained black, is a remarkable thing and well worth a trip through time.

sliver2_smltreasury_sml

All I can think of is our last administration, and the inability to tackle any problem successfully, and how everything was ‘hard work”   Please.  Have a look at Ajunta, Machu Picchu, Angkor Wat, Petra.  Imagine signing off on 40 years to carve a rock facade and we can’t rebuild twenty rows of wooden shotgun houses in New Orleans!   Disgrace, I mean I digress.

I’ve spent the last 10 days here in Amman Jordan setting up the first stages of Muslim World Music Day (formerly the Muslim Music Crash Course) at Columbia Universities Middle Eastern Research Center.  It has been a whirlwind of meetings, show-and tells, planning, report writing and visits to archives, schools, libraries, embassies, musicians and government offices.  The project director handling things from Jordan – the man with ALL the contacts – is Kareem Talhouni.

If you don’t know, Muslim World Music Day is an attempt to catalog all the relevant recording in the world, in one day, and surround this core database with informational and entertaining content, online.  Read all about it at our pre-website blog  www.arcmmcc.wordpress.com

Dr+cassettes_smlOne nice find was a thesis, written in English, but only published in Arabic, on Jordanian music, written by Prof Abdel Hamid Hamam the Dean of the College of Art and Design, University of Jordan.  Written in Wales no less.  We will excerpt it in both languages on the Muslim World Music Day website.

Equally amazing is the work of Dr. Mohammed Taha Ghawanmeh , Music professor and Dean of fine art @ Yarmouk University, Irbid, Jordan.  Dr Ghawanmeh has spent his life collecting the traditional music of Jordan, and the result is a 500 cassette edition, each cassette one hour long and accompanied by a booklet of lyrics, notation and explanatory notes.  This is hard work at its very best.  Only two sets of the series now exist and I can only hope that some scholars or universities that read this could find this work useful for their institution of scholarly pursuits.   Here’s the contact for the fine arts dept :  fac_finart@yu.edu.jo and Arabic speakers can call +962 79 574 3535

By the way on the road to Petra I has coffee, and after a 800 step climb rested in a rock solid tea room overlooking the rose red monestary.  Life used to be so hard…

roadside_coffemaker_smlMon_tea_rock_room>_sml

My favorite reaction to the project was from a woman at the Center who wanted to know if every whore and slut who parades nearly naked on the TV, shaking her stuff, and singing in Arabic would be a part of the website.  She then showed me a few of Nancy Ajram’s videos (mild by my standards) and then exclaimed with a smile, “This is my favorite!”  And shaking her shoulders, “I love to dance to this one.”   Hey, Nancy was on Ophra last month!

With downloading so prevalent and pirating commonplace, music shops have all but disappeared in Jordan – one small chain, The Music Box, holding its own.  Plus the visual versions are very seductive as DVDs and music on TV predominates.  Live music is scarce in formal performance.  This photo is from a concert at Al Hussein Cultural Center taken by Robert Reeder, an ex pro photographer visiting Amman.   Musically, it was the kanoon playing of Tewfik Mirkham (sp?) that was luminous.

Dervish4_sml

My endless search for actual music collections was finally rewarded on the last day of my visit to Amman with a trip to The Jordan Radio and Television Corp.   Our animated host, Ms. Hala Zureiqat, Director of Jordan Television, listened to our pitch, conferred with her Director, then nearly shouted, “We’re in!”   What has made this trip rewarding is that so many people in the region are willing to support the Muslim World Music Day -  a new idea, on first hearing – so enthusiastically.

In one of the rehearsal rooms we were treated to a short concert by 73 year old singer Mohammed Wahib – sweet, toothless and energetic.  The song is, “Slaima.”

The station has saved nearly its entire history since the 60s on reel to reel tape, and it is mostly catalogued.  The recent past is digitized and can be called up inhouse, electronically.   But for me the real fun was to finally see some real vinyl – 45s, LPs and a full shelf unit of approx 4,300 seventy-eights.

Amman45s1better sml

We will work to make sure this material is cataloged for the project and who knows what trash or treasures we will unearth.  Maybe an early Nabataean disc?





ARC Partners with Columbia University

10 04 2009

It’s taken a while, but here’s the text of the official press release from Columbia University.  Yes, were changing the face (facade) of academic study!

cu_partnership_hall_closeup

Columbia Forges Partnership with ARChive of Contemporary Music
Collection of be-bop, bluegrass, blues, country, jazz, rap, reggae, rock, zydeco
and other forms to be made available for research and education

NEW YORK, April 6, 2009 — Columbia University has joined in a cooperative agreement with the ARChive of Contemporary Music, the largest collection of popular music in the world, to integrate the resources of the archive into arts programming at the university and other educational and scholarly activities.

The partnership is between the archive, Columbia University Libraries and the Arts Initiative at Columbia. Holdings of the archive include the Keith Richards Blues Collection, endowed by Richards, and the 50,000 disc World Music collection.

“The ARChive is excited to partner with Columbia to create innovative academic initiatives and online content to help with the study, understanding and enjoyment of popular music from all over the world,” said Bob George, director of the archive. “One of the first projects under this new partnership will mount the ARChive’s catalog online, for both students and the general public to access. This initial database, the International Discography, will provide data on a half-million recordings in the collection of over 2 million sound recordings.”

The New York-based archive is supported by a remarkable board of advisors which includes David Bowie, Jellybean Benitez, Jonathan Demme, Ellie Greenwich, Jerry Leiber, Youssou N’Dour, Lou Reed, Keith Richards, Nile Rodgers, Todd Rundgren, Fred Schneider, Martin Scorsese, Paul Simon and Mike Stoller.

“The archive is an extraordinary resource and it is an honor for Columbia to make the collection available for education and scholarship,” said Jim Neal, vice president for information services and University Librarian. “We welcome this opportunity to advance wider availability and use of the archive.”
As part of its continuing commitment to engagement in the city, University Libraries and the Arts Initiative will work with the archive to reach out to interested communities to develop programs and projects that support the work of the partnership. The Arts Initiative will work to develop and implement public programming which highlights the work of the collaboration and brings visibility to the archive.

“The Arts Initiative is especially happy to have collaborated with Jim Neal in the expanded access to this remarkable collection,” said Gregory Mosher, director of the Arts Initiative and adjunct assistant professor of theatre arts. “Connecting the arts with other ways of understanding the world is central to the Arts Initiative’s work, and Bob George’s collection is a unique way of understanding the American, not to mention international, experience as expressed through its most popular art form. We look forward to working with Bob, the library, Columbia’s scholars and artists, and artists from around the world to create unique and compelling programming in the coming years.”

The ARChive of Contemporary Music is a not-for-profit archive, music library and research center located in New York City. It collects, preserves and provides information on the popular music of all cultures and races throughout the world from 1950 to the present. Now in its 24th year, the archive consists of 2 million sound recordings and approximately 3 million photographs, books, press kits, videos, memorabilia and related ephemera.

The Arts Initiative was launched by Columbia President Lee C. Bollinger in February 2004 to re-examine the role of the arts in the university and the university’s role in the arts. Under the direction of Gregory Mosher, the Arts Initiative strives to enliven the arts on campus, connect the campus to the city’s culture, and link the arts with other ways of understanding the world. It collaborates with student and faculty partners across the campus, unconstrained by academic field, and works regularly with the city and national and international cultural partners to make the arts a part of every Columbian’s education and life.

Columbia University Libraries/Information Services is one of the top 5 academic research library systems in North America. Its collections include over 10 million volumes, over 100,000 journals and serials, as well as extensive electronic resources, manuscripts, rare books, microforms, maps, graphic and audio-visual materials. The services and collections are organized into 25 libraries and various academic technology centers. The Libraries employs more than 550 professional and support staff.

About Columbia University
A leading academic and research university, Columbia University continually seeks to advance the frontiers of knowledge and to foster a campus community deeply engaged in understanding and addressing the complex global issues of our time. Columbia’s extensive public service initiatives, cultural collaborations and community partnerships help define the University’s underlying values and mission to educate students to be both leading scholars and informed, engaged citizens. Founded in 1754 as King’s College, Columbia University in the City of New York is the fifth oldest institution of higher learning in the United States.





Happy 105th Birthday “Whistling Girl”

1 10 2008

Today, the stars aligned while I was alphabetizing the “J” section of the ARChive’s collection of 78 rpm records – a small collection here of about 8,000.  Tucked in between the Harry James and the James Johnson was a runty nine-inch record on Zon-O-Phone.  I pulled it out to take a closer look.  The cut: George W. Johnson’s “Whistling Girl,” Zon-O-Phone, C 5852.  More intriguing, however, was this sticker on the back dates the record to this day in 1903.  That’s 105 years ago boys and girls!

We’re not sure if this is the date the record was released or the date Victor bought Zon-O-Phone’s assets (probably the latter), but maybe more interesting that the synchronicity of the find is that George W. Johnson was one of the first African-American recording artists and was cutting records back when that meant singing the same song over and over into a horn. Unfortunately, however, his recorded legacy was relatively limited. He’s most famous for two songs, “The Laughing Coon” and “The Whistling Coon.”  “Whistling Girl” was another opportunity for him to show off his fantastic whistling skills.  (These last two link to recordings of Johnson’s songs by S.H. Dudley, the recording alias of Victor Records employee Samuel H. Rous who simply seems to be riding on Johnson’s coattails.)

There’s lots more on George W. Johnson in Tim Brooks and Richard Spottswoods history of African-Americans and the birth of the recording industry, Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919.

Jessica Thompson

PS: Today is her last day for a while, folks, and we’re all sad — DTN





the NICE

3 01 2008

One of the nicest things about the ARC is the nice people who pop up over the Holidays, the nicest time of the year. So Here’s to jolly, saintly, James Doran, who gave us the nicest gift of all to round out the season, 308 jazz books!

James Doran’s donation 07

Jim is a long-time ARC supporter, who’s passion is piano jazz. He has authored Herman Chittison : A Bio-Discography, (International Association of Jazz Record Collectors, monograph No. 2, 1993), and made a major donation of his work, as well as that of Erroll Garner, in the past.

This years donation are mostly out-of-print books, with rarities among the rows, and we needed nearly all of them. ARCster Brian, who is Jazz-knowledgeable, had a look at the cache and pointed out a few nice items…

Inside Be-Bop

Leonard Feather, J.J. Robbins & Sons, 1949, paper,103 pp
“Written by America’s No. 1 Authority on Be-Bop” this book looks beyond the eccentric personality angles of the bop cult — the goatees, berets, and other superficial manifestations — and instead focuses on more serious aspects of the music. Includes a technical explanation with musical illustrations, biographies, photos, and a list of albums suitable for a general introduction to bebop.

Hot Discography
Charles Delauney, Commodore Record Co., 1943 edition (Revised and corrected reproduction of the original 1938 French edition), cloth, 416 pp
Hot Discography was the first attempt to systematically list all “hot” jazz records along with the personnel for each performance.

Duke Ellington on Compact Disc
Jerry Valbourn, Marlor Productions, 1993, paper, 253 pp
Evidence that jazz discographies can succeed when focusing on something other than original pressings of the material. According to the author the compact disc has done more to perpetuate Duke Ellington’s legacy than any other retrieval format. Includes documentation of over 1,000 Duke Ellington related compact disc releases.

The collection contained plenty of other distinguished discographies, including many from Greenwood Publishing focusing on, among others, the Prestige, Savoy and King labels, 25 volumes of The Jazz Discography by Tom Lord, and a whole shelfload of titles on women in jazz; I Had the Craziest Dream by Helen Forrest, American Women in Jazz by Sally Placksin, and Jazz Women at the Keyboard by Mary Unterbrink. You can see the complete list of everything donated on our webthing.

Jim also donated 176 LPs and as clever as we think we are, we had to be told that the one person common to every disc was pianist Tommy Flanagan.

Stealth themed donations are encouraged.

You should all give it a try!

b.ARC





It’s Official

19 11 2007

It’s Official – Today, The New York Times became the Onion – the headline reads :

“Study Links Drop in Test Scores to a Decline in Time Spent Reading”

bookvrecord_sml.jpg

And may we suggest:

“Music Linked to Instances of Listening”